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The marsh queen  Cover Image Book Book

The marsh queen / Virginia Hartman.

Summary:

"Loni Mae Murrow's life in Washington, DC is tidy, if a trifle constrained. Single and in her mid-thirties, she's a bird artist at the Smithsonian who spends her days at a desk, making elaborate drawings of belted kingfishers and scrub-jays and purple gallinules. Then she's abruptly summoned back home to the wetlands of northern Florida, where she grew up. Her mother, critical and difficult, has grown frail and been resentfully consigned to assisted living, and her younger brother, Phil, juggling a job and a wife and two young children, needs her help. Loni may not be her mother's only child, but there are some things only a daughter can do. Although Florida, with its suffocating heat and difficult memories, is a place she thought she'd managed to get away from, Loni soon discovers that home is not so easily forgotten. Going through her mother's things, she finds a cryptic note from a woman whose name she doesn't recognize: "There are some things I have to tell you about Boyd's death," it reads. Boyd is her father, a man who drowned in a boating accident out on the marsh when Loni was twelve and Phil just a baby. The circumstances of his death, long presumed a suicide, turn out to be murkier than anyone thought. Against her better judgment, Loni finds herself drawn into a quest to discover the truth about how he died. Against the mottled landscape of her youth, she is led both away from and toward the truth about the past and its betrayals. One by one, the forces keeping her in Florida become stronger. Someone begins to threaten her as she uncovers pieces of her father's story, but she can't figure out who. In the midst of this danger, she struggles to reconnect with her mother through the remnants of their past and to reconcile with her brother and his pushy, provincial wife. And she fights an attraction to a man who encourages her to stay in the South even as she determines to return to her job in Washington. At last moved to avenge the wrongs done to her family, Loni has to decide whether to join the violence or end it"-- Provided by publisher.

Record details

  • ISBN: 9781982171605
  • ISBN: 198217160X
  • Physical Description: 369 pages ; 24 cm
  • Edition: First Gallery Books hardcover edition.
  • Publisher: New York : Gallery Books, an imprint of Simon & Schuster, Inc., [2022]

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references.
Subject: Artists > Fiction.
Mothers and daughters > Fiction.
Secrecy > Fiction.
Fathers > Death > Fiction.
Florida > Fiction.
Genre: Thrillers (Fiction)
Novels.

Available copies

  • 15 of 15 copies available at Missouri Evergreen.
  • 1 of 1 copy available at Rolla Public. (Show)

Holds

  • 0 current holds with 15 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Rolla Public Library FIC HAR (Text) 38256101852865 Adult Fiction Available -
Camden County Library District - Osage Beach FIC HARTMAN (Text) 31320003879728 Adult Fiction Available -
Cape Girardeau Public Library HAR (Text) 33042004874056 Adult Fiction Available -
Cass County Library-Garden City F HAR 2022 (Text) 0002205405034 Adult Fiction Available -
Cass County Library-Northern Resource Center F HAR 2022 (Text) 0002205405042 Adult Fiction Available -
De Soto Public Library F HARTMAN Virginia (Text) 33858000016554 Adult Fiction Available -
Jefferson County Library-Arnold F HARTMAN Virginia (Text) 30061100084694 Fiction Available -
Little Dixie - Madison F HARTMAN (Text) 2004707267 Adult Fiction Shelves Available -
Little Dixie - Main Library - Moberly F HARTMAN (Text) 2004707275 Adult Fiction Shelves Available -
Riverside Regional-Altenburg F HAR (Text) 30000005543644 Adult Fiction Available -

Syndetic Solutions - Excerpt for ISBN Number 9781982171605
The Marsh Queen
The Marsh Queen
by Hartman, Virginia
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Excerpt

The Marsh Queen

Chapter 1 1 If I were a different person, I could move forward and never look back, never try to fathom the forces that shaped me for the worse. But there are times when a fog rolls in, slow as dusk, beginning with a nodule of regret. I should have, why didn't I, if only. I replay the day my father left us for good, the sun showing orange through the live oak, him pacing at the bottom of the porch steps, twelve-year-old me looking down with my baby brother, Philip, on one hip. I winced as I gently extracted a strand of my dark brown hair from his doughy little grasp. Daddy bounced his feet on the bottom step and squinted up. "Look, darlin'. Miss Joleen next door can help your mama with the baby. So how's about it, Loni Mae? You comin' with me?" My dad hadn't gone fishing in months. But he'd grown restless, knocking into furniture and slamming the screen door. There was a thrumming in the house like the wind before a storm. That day, my mother said, "Boyd, go on! You're pacing the house like a caged animal." I'd have given almost anything to be out fishing in the swamp with him, to draw every creature I saw, to watch and listen as before. But how could I? I had to stay. Now that Philip was here, I served a purpose in my house. I held him while my mother talked on the phone, while she rested or did housework. I knew how to make him laugh those hiccupy laughs. He was my after-school activity, my weekend amusement, my part-time job. My mother no longer shook her head at my hopelessness, nor raised her eyes to heaven. Daddy turned, and his boots crunched gravel. He retrieved his fishing pole and tackle from the garage. I put the tip of my braid in my mouth and sucked it to a fine point as he walked out to the end of the dock, his khaki vest sagging with lead weights and lures, the tackle box a drag on his left arm. He turned and looked back for a minute, tilting his head so his face caught the light. I put my hand up to wave, but a shaft of sun was in his eyes, and he didn't see. He swiveled back toward the jon boat, stepped in, and he was gone. He could have slept at the fishing camp, that faded two-room cabin that stuck out over a muddy bank, or he might have gone on patrol right after his swamp time. But on Monday morning, his Fish & Game uniform still hung in the closet at home, pressed and waiting. Around three, my dad's boss stopped over. Captain Chappelle was tall and fit in his khaki uniform, his boots clunking up the porch steps. My mother was out the door before he'd reached the top stair. "Hello, Ruth. Just came by to see if Boyd was sick or what." My mother turned to me. "Go on, Loni. Get to your chores." Two vertical lines between her eyebrows told me not to argue. I couldn't hear what they said, though from the kitchen I strained to make words from the low tones in the Florida room. I wiped the last dish and heard Captain Chappelle's truck kicking up gravel in the driveway. The weather turned cool that night, sweatshirt weather, and still Daddy didn't return. Long after I'd gone to bed, I heard voices and went to the top of the stairs. "I shoulda seen it, Ruth." It was a man's voice--Captain Chappelle. The Florida room's square panes of glass would be black now, the marsh invisible behind them. The darkened banister glowed with the light from downstairs, and Captain Chappelle's voice rippled with a watery sound. "Boyd hadn't been himself lately. I just never thought he'd go and--" "No," my mother said. "Had he been acting strangely around home? Depressed? Because these last few weeks--" "No," she said louder. Captain Chappelle's voice dropped to a murmur, but words floated up to me. Drowned... intentional... weighted down... My mother kept repeating, "No." "We'll fix it up, Ruth. Boating accidents happen every day." "Not to my Boyd." At the funeral home, I stepped away from the varnished wood box and listened. Such a terrible accident. What a shame. It could happen to anybody, out in a boat. You just never know when it's your time. So it was an accident. Those other words, floating up along the staircase, had just been a bad dream. After the funeral, my mother and I took Philip home and we didn't talk about Daddy. If we didn't speak his name, maybe we could erase the knowledge that he'd never come back. Excerpted from The Marsh Queen by Virginia Hartman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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